Ham Tanid (Experimental, Improvised)

by The COSMOS
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Ham Tanid (Bangkok)

āđāļŪāļĄ â€” āļāļēāļ“āļīāļĻāļĢāđŒ āļŠāļīāļ™āļ˜āļēāļĢāļąāļ•āļ™āļ° āđ€āļ›āđ‡āļ™āļĄāļ·āļ­āļāļĩāļ•āļēāļĢāđŒ āļ™āļąāļāđāļ•āđˆāļ‡āđ€āļžāļĨāļ‡ āđāļĨāļ°āļ‹āļēāļ§āļ”āđŒāđ€āļ­āļ™āļˆāļīāđ€āļ™āļĩāļĒāļĢāđŒāļˆāļēāļāđ„āļ—āļĒ āļ—āļĩāđˆāđƒāļŠāđ‰āļāļēāļĢāļ­āļīāļĄāđ‚āļžāļĢāđ„āļ§āļ‹āđŒāđ€āļ›āđ‡āļ™āđāļāļ™āļŦāļĨāļąāļāđƒāļ™āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒāļœāļĨāļ‡āļēāļ™ āļ”āļ™āļ•āļĢāļĩāļ‚āļ­āļ‡āđ€āļ‚āļēāđ„āļ”āđ‰āļĢāļąāļšāļ­āļīāļ—āļ˜āļīāļžāļĨāļˆāļēāļāļŦāļĨāļēāļāļŦāļĨāļēāļĒāđāļ™āļ§ āļ—āļąāđ‰āļ‡āđāļˆāđŠāļŠ āļžāļąāļ‡āļāđŒ āđāļĨāļ°āđ‚āļŸāļĨāđŒāļ āļžāļĢāđ‰āļ­āļĄāļœāļŠāļĄāļœāļŠāļēāļ™āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ”āļ™āļ•āļĢāļĩāļžāļ·āđ‰āļ™āļšāđ‰āļēāļ™āļˆāļēāļāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ•āđˆāļēāļ‡ āđ† āđ€āļ‚āđ‰āļēāļāļąāļšāđ€āļ—āļ„āļ™āļīāļ„āļ­āļĒāđˆāļēāļ‡ live looping āđāļĨāļ°āļ„āļ­āļĄāļžāļīāļ§āđ€āļ•āļ­āļĢāđŒāļĄāļīāļ§āļŠāļīāļ āļ—āļģāđƒāļŦāđ‰āđ€āļāļīāļ”āđ€āļŠāļĩāļĒāļ‡āļ—āļĩāđˆāđāļ›āļĨāļāđƒāļŦāļĄāđˆāđƒāļ™āļšāļĢāļīāļšāļ—āļĢāđˆāļ§āļĄāļŠāļĄāļąāļĒ

āļœāļĨāļ‡āļēāļ™āļ‚āļ­āļ‡āđāļŪāļĄāļĄāļĩāļˆāļļāļ”āđ€āļ”āđˆāļ™āļ­āļĒāļđāđˆāļ—āļĩāđˆāļĄāļļāļĄāļĄāļ­āļ‡āđ€āļ‰āļžāļēāļ°āļ•āļąāļ§āđƒāļ™āļāļēāļĢāļ•āļĩāļ„āļ§āļēāļĄāđāļĨāļ°āļŠāļ°āļ—āđ‰āļ­āļ™āļšāļĢāļīāļšāļ—āļ—āļēāļ‡āļŠāļąāļ‡āļ„āļĄāđāļĨāļ°āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļœāđˆāļēāļ™āļĄāļīāļ•āļīāļ—āļĩāđˆāļŠāļ”āđƒāļŦāļĄāđˆ āđ‚āļ”āļĒāļāļĢāļ°āļšāļ§āļ™āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ‡āļēāļ™āļ‚āļ­āļ‡āđ€āļ‚āļēāđ€āļ›āđ‡āļ™āļāļēāļĢāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļāļēāļĢāļĢāļąāļšāļĢāļđāđ‰āļ āļēāļĒāđƒāļ™āļāļąāļšāļāļēāļĢāļ•āļ­āļšāļŠāļ™āļ­āļ‡āļ•āđˆāļ­āđ€āļŠāļĩāļĒāļ‡āđāļ§āļ”āļĨāđ‰āļ­āļĄāđƒāļ™āļŠāļąāļ‡āļ„āļĄ āđāļŠāļ”āļ‡āđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ–āļķāļ‡āļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāļ—āļĩāđˆāļĨāļ·āđˆāļ™āđ„āļŦāļĨāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ•āļąāļ§āļĻāļīāļĨāļ›āļīāļ™āļāļąāļšāļŠāļīāđˆāļ‡āļĢāļ­āļšāļ•āļąāļ§āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļāļēāļĢāļ­āļīāļĄāđ‚āļžāļĢāđ„āļ§āļ‹āđŒ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āđ€āļ‚āļēāļĒāļąāļ‡āđƒāļŠāđ‰āđ€āļ—āļ„āļ™āļīāļ„ field recording āđ€āļžāļ·āđˆāļ­āđ€āļžāļīāđˆāļĄāļĄāļīāļ•āļīāđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļąāļ”āđ€āļˆāļ™āđƒāļŦāđ‰āļāļąāļšāđāļ™āļ§āļ„āļīāļ”āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļŠāļ·āđˆāļ­

āļœāļĨāļ‡āļēāļ™āđ€āļ”āđˆāļ™āļ‚āļ­āļ‡āđ€āļ‚āļē āđ„āļ”āđ‰āđāļāđˆ āļ­āļąāļĨāļšāļąāđ‰āļĄ â€œRhizomE x Ju Ju” āļ—āļĩāđˆāļĢāđˆāļ§āļĄāļŠāļĢāđ‰āļēāļ‡āļāļąāļšāļĻāļīāļĨāļ›āļīāļ™ Lolay āļ‹āļķāđˆāļ‡āļ„āļ§āđ‰āļēāļĢāļēāļ‡āļ§āļąāļĨ “Best Asian Creative Artist” āļˆāļēāļāđ€āļ§āļ—āļĩ Golden Indie Music Awards (GIMA) āļ—āļĩāđˆāđ„āļ•āđ‰āļŦāļ§āļąāļ™āđƒāļ™āļ›āļĩ 2023 āđāļĨāļ°āđāļ—āļĢāđ‡āļ â€œFragments” āļˆāļēāļāļ­āļąāļĨāļšāļąāđ‰āļĄāļ™āļĩāđ‰āļĒāļąāļ‡āđ„āļ”āđ‰āļĢāļąāļšāđ€āļĨāļ·āļ­āļāđƒāļŦāđ‰āļ™āļģāđ€āļŠāļ™āļ­āđƒāļ™āļ‡āļēāļ™ Ars Electronica Forum Wallis āļ—āļĩāđˆāđ€āļĄāļ·āļ­āļ‡āļ§āļēāđ„āļĨāļŠāđŒ āļ›āļĢāļ°āđ€āļ—āļĻāļŠāļ§āļīāļ•āđ€āļ‹āļ­āļĢāđŒāđāļĨāļ™āļ”āđŒ āđƒāļ™āļ›āļĩ 2025 āļ­āļĩāļāļ”āđ‰āļ§āļĒ āļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āđ‚āļ›āļĢāđ€āļˆāļāļ•āđŒāļŠāļģāļ„āļąāļāļ„āļ·āļ­ EP “Enter The Void” āļ—āļĩāđˆāļĢāđˆāļ§āļĄāļ—āļģāļāļąāļš Krupleng āđ‚āļ”āļĒāļœāļŠāļĄāļœāļŠāļēāļ™āđāļˆāđŠāļŠ āđāļ­āļĄāđ€āļšāļĩāļĒāļ™āļ•āđŒ āđāļĨāļ°āđ‚āļ™āļĢāļēāļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ™āļēāļāļĻāļīāļĨāļ›āđŒāļžāļ·āđ‰āļ™āļšāđ‰āļēāļ™āļ āļēāļ„āđƒāļ•āđ‰āļ‚āļ­āļ‡āđ„āļ—āļĒāđ€āļ‚āđ‰āļēāļ”āđ‰āļ§āļĒāļāļąāļ™āļ­āļĒāđˆāļēāļ‡āļ™āđˆāļēāļ—āļķāđˆāļ‡


Ham—Tanid Sintaratana is a guitarist, composer, and sound engineer who primarily uses improvisation as the foundation of his creative work. His music draws from diverse influences such as jazz, punk, and folk, while incorporating traditional instruments from various cultural backgrounds. This fusion is further enhanced by techniques like live looping and computer music, expanding the boundaries of sound in a contemporary context.

Ham’s work is characterized by its unique approach to interpreting and reflecting on social and cultural contexts through a fresh perspective. His process bridges inner awareness with responses to external sounds in society, embodying the fluid relationship between himself and his surroundings during improvisation. Additionally, he employs field recording techniques to add depth and clarity to the concepts he aims to express.

Notable works include the album “RhizomE x Ju Ju,” created in collaboration with the artist Lolay, which earned the “Best Asian Creative Artist” award at Taiwan’s Golden Indie Music Awards (GIMA) in 2023. Additionally, the track “Fragments” from this album was selected for presentation at Ars Electronica Forum Wallis in Valais, Switzerland, in 2025. Another significant project is the EP “Enter The Void,” produced in collaboration with Krupleng, blending jazz, ambient, and the traditional southern Thai dance-drama, Nora.

2017 — āļāļēāļ™āļ”āļē [Karnda] (Single)
2018 — Katamaru (Single)
2018 — Rural Rhymes (Single)
2023 — AEROPREZZ (Single)
2023 — AERORO (Single)
2023 — FLYING 45 (Single)
2023 — RhizomE x Ju Ju
2023 — RHIZOMATC
2024 — Enter the Void (EP)
2024 — OBAYASHI (Single)

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We are aliens who travel between galaxies to find the music we love across the universe.ðŸ›ļðŸ’Ŧ

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